faithful mentors

4 Apr exploration 2011

I’m writing this post today in response to a DAY OF BLOGGING for Exploration 2013, a United Methodist Event for people discerning a call to ordained ministry. They asked us to respond to the question: “Who influenced you in discerning your Call to Ministry?” So here it is:

For many in ministry or clergy roles we simply “walk alongside” and  ”live life” with the people whom we guide and work with in ministry. This is what the many faithful mentors in my journey have done with/for me–they’ve simply been there as I have experienced (thus far) the full stretch of human life–good times and bad.

auburn samford hallMy specific call to ministry and working with college students came during my freshman year at Auburn University when I went on a Weekend Mission Trip with Auburn Wesley Foundation and Alabama Rural Ministry (ARM) to Mobile, Alabama to work at St. Francis Street Mission. The trip was led by Lisa Pierce, the founder and director of ARM

On the trip we worked with a man named “Mr. Johnny” where we fixed his roof and shared some good times and even a few jokes about coffee, roofing, and life. On Sunday morning instead of GOING to Church we went and DID Church: we worked in the soup kitchen and sang songs with the men, women, and children, the poor and homeless, who were in the mission that day. It was an eye opening experience to DO Church instead of just attending church/worship on Sunday morning.Emory Wesley students at ARM on Spring Break 2013 I came back from that trip feeling called and knowing that I wanted to do those kinds of things, and help others to do those things as my vocation. Lisa’s facilitating that trip and encouraging me to go has helped shape the direction of my life for the better. We still stay in contact and it is a great joy to bring Emory Wesley college students on trips to do work with Lisa and ARM.

Over the course of my time at Auburn the Auburn Wesley Director, Rev. David Goolsby, guided and mentored me in ministry and helped shape me into a leader in the Auburn community. I had the opportunity to help lead music and liturgy in worship, experiment with different styles and types of worship, lead small groups, reflect theologically and dream about church models, plan and lead mission trips, and many more opportunities for transformation and service. David is still a mentor of mine, officiated our wedding, and is a thoughtful guide and ‘guru’ of campus ministry for many.

I am thankful and grateful to God for mentors like Lisa and David who helped me to hear God’s call in my life. I’ll end with a word from David in my own paraphrased Goolsby-ism: “May we seek to be faithful to God as God is faithful to us.” Amen.

For more info about Exploration 2013 click here: ExploreCalling.org!

Bishop White’s Letter to Martin Luther King, Jr.

19 Jan bishop white closeup

Each year retired United Methodist Bishop Woodie W. White writes a letter to Rev. Dr. Martin Luther King, Jr. on the anniversary of his birthday about the progress of racial equality. This year I asked Bishop White if he would allow me to video a reading of the letter. It was a unique opportunity and honor to work with Bishop White on this project. Below is Bishop White’s 2013 Letter in video format, entitled “50 Years On: The Dream is Becoming the New Reality.”  The text of the Letter can be found at UM Reporter here. Bishop White is the Bishop in Residence at Candler School of Theology at Emory University in Atlanta, Ga and more about Bishop White can be found here.

This video may be downloaded for use in school/civic/church services, may be embedded or posted freely, and is free for use under Creative Commons for non-commercial, non-modified use.

Special thanks to Bishop White for his permission and time, Rev. Dr. Bill Britt and staff of Peachtree Road UMC in Atlanta, Ga, for filming location, Stan Taylor at Candler School of Theology for his wealth of technical expertise and materials, and friends Josh Amerson and Rev. Brian Tillman for their advising, direction, and encouragement.bishop white filming

Emory Wesley Orientation Video

17 Jul Screen shot 2012-07-17 at 3.13.11 PM

Here is the quick video introduction to Emory Wesley Fellowship, the United Methodist Campus Ministry at Emory University: (students on Facebook here  ||  Twitter here  || Alumni, friends, parents, supporters FB page

music: “Festival” by Sigur Ros used under fair use regulations and this statement by the band: http://www.sigur-ros.co.uk/banda/faq.php#13

“This is My Song” (July 4th)

3 Jul fireworks bokeh

The Fourth of July brings up many themes of patriotism: we celebrate our United States of America and demonstrate our pride in our nation–there are some instances of appropriately and carefully crafted celebration and pride, while other instances seem to exalt our nation over and against all other nations. The hymn, “This is my song” reminds us that ALL nations are loved by God and that we as individuals or as a nation do not have any more or less favor in God’s eyes. As the author puts it, it is “a song of peace for lands afar and mine.” The familiar tune Finlandia , by Finnish composer Jean Sibelius, was written in 1899, as a covert protest against the oppressive Russian forces, and is a much beloved symphonic piece.

The 4th of July began as a day of celebration of our independence from the tyranny of the British empire upon the American colonies. Those many years ago our forefathers and foremothers gave birth to a land where religious and political freedoms were guaranteed and that all people had civil rights (although we are *still* working on getting these parts right some MANY years later).

The first two verses were written by American poet Lloyd Stone who wrote a number of books of poetry, two children’s books, and served as chapter president of the National Society of Arts and Letters. The final verse was written by Methodist theologian Georgia Harkness, who was one of the first women to hold a full professorship at a U.S. theological seminary--she taught at Garrett & Pacific School of Religion to name a few. Harkness was a leader in the ecumenical movement and was important in securing ordination for women in the Methodist Church. Most of her hymn writing was in the form of prayers and the final verse of “This is My Song” is a fine example of her work and her prayer for God’s peace to be known in “all earth’s kingdoms.”

Below is my own arrangement of “This is My Song,” which serves as a reminder of the love God has for all peoplenot just for this nation or another nation. On this July 4th, may we be mindful of all the people in this nation and other nations who are still striving for justice and for peace. “Si quieres paz, lucha por la justica” “If you want peace, work for justice.” –Pope John Paul II

“This is My Song” Lloyd Stone/Georgia Harkness, 1939 // UMHymnal #437, Finlandia, 1899 , J. Sibelius
This is my song, Oh God of all the nations,
A song of peace for lands afar and mine.
This is my home, the country where my heart is;
Here are my hopes, my dreams, my sacred shrine.
But other hearts in other lands are beating,
With hopes and dreams as true and high as mine.

My country’s skies are bluer than the ocean,
And sunlight beams on cloverleaf and pine.
But other lands have sunlight too and clover,
And skies are everywhere as blue as mine.
Oh hear my song, oh God of all the nations,
A song of peace for their land and for mine.

This is my prayer, O Lord of all earth’s kingdoms:
Thy kingdom come; on earth thy will be done.
Let Christ be lifted up till all shall serve him,
And hearts united learn to live as one.
O hear my prayer, thou God of all the nations;
Myself I give thee, let thy will be done.

the chord sheet of this arrangement: This Is My Song (Finlandia in C)
(fair use)

*resources used:
the Commentary on the United Methodist Hymnal by Carlton Young
The Hymns of the United Methodist Hymnal by Diana Sanchez
Wikipedia (mostly the sources in the footnotes!)

Wade In the Water (live)

4 May wade in the water

A live recording of a bluesy version of this beautiful spiritual from this past Sunday (04.29) at The Gathering @5:50pm ( a new worship service at Glenn Memorial UMC where I’m helping to coordinate the music for the worship).

Easter Sunrise Homily 2012

10 Apr Easter Sunrise at Emory University

Here is a recording of my homily on John 20:1-18 from the Easter Sunrise Service w/ Emory Wesley Fellowship with people from the Emory University and Glenn Memorial UMC communities.

When I Survey the Wondrous Cross

2 Mar when i survey cover image

This is by far one of my favorite hymns for the season of Lent in the Christian tradition. The original hymn text was written by Isaac Watts (1674-1748)–one of the greatest hymn writers of the English language (more info here: http://en.wikipedia.org/wiki/Isaac_Watts). The modern refrain in this version was co-written in the year 2000 by JD Walt (Theologian, musician, professor of worship at Asbury Seminary–link here) along with Chris Tomlin and Jesse Reeves (two rather popular christian musicians–link here). The refrain adds a humble call to action and submission to ‘come and die’ with Christ during this season of lenten preparation for Holy Week. There is also an amount of light shining ever so slightly with hints of the resurrection Christ and resurrection for us–the promise of Easter.

Although a variety of tunes can be used for this Long Meter tune (8.8.8.8–that’s 8 syllables in 4 lines), the original tune ‘Hamburg’ (#298 in the United Methodist Hymnal) is still my favorite. Hamburg tune was written by Lowell Mason a prolific hymn tune composer who is responsible for many advancements in music education (wikipedia info here). For me, this musical setting carries with it the more helpful melodies and notes which convey the solemn, yet hopeful words and tone of this hymn, which many consider to be Watts’ finest and most recognized hymn.

This is my own arrangement with the guitar tuned to DADGAG: a common Irish/Scottish/bluegrass tuning which allows for the playing of ‘melody’ while playing ‘rhythm.’

verse D Bm G D     D G A    D Bm G D    D G A D //  refrain  G  D/F# G  D/F# G  D/F# A  D

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